Vanity fair

Observations Concerning Comic Strips (Vanity Fair, 1923)

“From a study that covers practically all the comic sequences, I have roughly estimated that sixty percent deal with the unhappiness of married life, fifteen percent with other problems of the home, such as disagreeable children, and in the other fifteen is grouped a miscellany of tragic subjects – mental or social inferiority, misfortune and poverty. This last group contains a few subjects that carry no definite plan from day-to-day but are based on transient jokes such a Prohibition and the income tax.”

The Rise and Fall of Cubism (Vanity fair, 1923)

Numerous deep thoughts on the subject of Cubism by a prominent art critic of the time, Clive Bell (1881 – 1964):


“But, though in two or three years’ time Cubism may have disappeared, its influence should endure for a generation at least. The service it has rendered art is inestimable. Without it the liberating impulse given by Cezanne had been incomplete. Cezanne freed artistic sensibility from a hampering and outworn convention; Cubism imposed on it an intelligent and reasonable discipline. If a generation of free artists is now turning spontaneously towards the great tradition, it was through Cubism that it came at Ingres and Poussin.”

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