Gentry Magazine

Articles from Gentry Magazine

Modigliani in Paris
(Gentry Magazine, 1955)

Modigliani came to Paris from Italy in the propitious year of 1906, start of a decade of art in which every contemporary movement germinated…When he became acquainted with Romanian sculptor Brancusi in 1909, the impact of the meeting gave his work a new direction…

Clemente Orozco
(Gentry Magazine, 1953)

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1950s Golf Attire
(Gentry Magazine, 1953)

Attached you will find a number of black and white images illustrating the general look for 1950s golfers – and if you’ve been looking for an article that explains the fashion sense of every single retired U.S. President for te past fifty years, you may have found it.

The fashions illustrated herein also provide today’s costume designers with a sense of how retired crooners preferred to look as well.

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Color Styling and the Cars of the Fifties
(Gentry Magazine, 1956)

A 1956 article by Eugene Bordinat (1920 – 1987), one of Detroit’s grand old men of automotive design; during his reign at Ford, Bordinat oversaw the styling of such cars as the Mustang and the Falcon:

The average American likes to think that he is an independent thinker and a rugged individualist, while actually he is closer to a sheep and follows the herd. He resists change. He wants just enough change in cars so his neighbors will know it is the latest model, but not so much that he has to explain to his friends why he bought the strange contraption…The stylist must consider these factors when he out-lines his advanced thinking on trim and color…he must be sure that the scheme isn’t so radical that it will frighten the color-timid public.

The Coronation Jewels
(Gentry Magazine, 1953)

The attached photograph of Queen Elizabeth in her Coronation attire is accompanied by a few select words concerning the Koh-I-Nor diamond and a few other pretty baubles worn on the occasion of her 1953 coronation:

Elizabeth II wearing the diamond-and-pearl circlet of Queen Victoria. The design incorporates the Tudor rose, Scotch thistle, and Irish shamrock. The diamond necklace was a wedding gift from the Nizam of Hyderabad.

Saul Steinberg
(Gentry Magazine, 1955)

The art of living in the wrong century – this is Saul Steinberg’s (1914 – 1999) own designation for the predicament he has been illustrating for over a decade. In his latest collection, The Passportstyle=border:none (the title is a deceptively mild clue to the whole works; it sneaks up on you), he has again and more inexorably than ever demonstrated his infinite capacity for taking pains in his graphic pursuit of melange, drafting, with a vilifying grasp of the murderously essential, our contemporary quest for style – in architecture, in furniture, clothing and machines – which we can also own.

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Saul Steinberg
(Gentry Magazine, 1955)

The art of living in the wrong century – this is Saul Steinberg’s (1914 – 1999) own designation for the predicament he has been illustrating for over a decade. In his latest collection, The Passportstyle=border:none (the title is a deceptively mild clue to the whole works; it sneaks up on you), he has again and more inexorably than ever demonstrated his infinite capacity for taking pains in his graphic pursuit of melange, drafting, with a vilifying grasp of the murderously essential, our contemporary quest for style – in architecture, in furniture, clothing and machines – which we can also own.

Styling the Fifties
(Gentry Magazine, 1956)

A one page essay by automobile-stylist William H. Graves, a former Vice President and Director of Engineering at the Studebaker-Packard Corporation.

Two years ago a new product philosophy was approved at Packard which gave the engineering department a green light that had not been on since 1935. This enabled us to set up a program to style future cars for the luxury field…The Packard program was launched in October, 1952, with the formation of a new styling group of young men, whose average age was 28. An advanced design section and a special section to experiment with plastics as a possible material for both parts and dies were established.

Click here to read the obituary of J.M. Studebaker.

The Psycho-Sexual Struggle within Amedeo Modigliani
(Gentry Magazine, 1953)

Modigliani’s art reflects the psychological secret of his personality as a man, which in turn determines, the characteristics of his art. This longing for intellectual and spiritual self-discipline was constantly struggling with the demands of his overflowing sensual nature; his dreams of physical and sexual vigor were at odds with the failings of his body, his ailments, and his psycho-sexual infantilism; his desire for glory rebelled against the frustrations and poverty of reality.

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