This is the story of the Jacob A. Riis Settlement beauty clinic which was funded by a well-heeled New Yorker in order that the impoverished women from the down-trodden quarters of New York might come to know all the relaxation that comes with electrolysis and eyebrow-plucking (sadly, anal bleaching was not offered at the time).
Red is the color which is going to add excitement to the fall scene. In a season when black is everywhere, the woman who wants to stand out is going to turn to red to express her own sense of drama. Red will be seen in suits, in coats, in after-dark dresses. The color itself is so dramatic that designers rely on cut and line for interest.
A Paris fashion review written by pioneering fashion photographer Adolph de Meyer
(1868 – 1949). His column is illustrated by six of his photographs illustrating the autumnal offerings from the houses Worth and Chanel. The collections generated by Maria Guy, Jean Lanvin, Marthe Collot, Doucet, Cheruit, Poiret and Patout were also addressed at some length.
Of course ‘collections’ must be seen by me. The round of all the big maisons de couture must be made. I must know what is worn and what I shall decide to present to the readers of HARPER’S BAZAAR.
Illustrated herein are the five necessary steps needed to tie the perfect ascot knot.
Up until 1974, it was believed by many of the old salts in fashion history circles that the earliest surviving example of men wearing neck-cloths could be found on Trajan’s column (113 A.D.); but then the Terracotta Army (221 B.C.) was unearthed in China which altered much of the thinking as to how old tied neck cloths actually are. Our era is one in which the future of the tie is unknown, but the attached file dates from 1906 which serve to illustrate for the average Joe, how best to tie an ascot.
Fads like ukulele strumming and flagpole sitting have not been seen on college campi since the 1920s – but the undergraduates in 1956 did adopt one fashion element from the Twenties – their father’s raccoon coats.
Click here to read about the Ivy League look for 1953.
Fads like ukulele strumming and flagpole sitting have not been seen on college campi since the 1920s – but the undergraduates in 1956 did adopt one fashion element from the Twenties – their father’s raccoon coats.
Click here to read about the Ivy League look for 1953.
Fads like ukulele strumming and flagpole sitting have not been seen on college campi since the 1920s – but the undergraduates in 1956 did adopt one fashion element from the Twenties – their father’s raccoon coats.
Click here to read about the Ivy League look for 1953.
This is a well-illustrated article in which the fashion journalist recalled a dinner party where the men in attendance were knowledgeable on which forks to use but cared little about the proper etiquette 
Lilly Daché (1898 – 1989) was the most famous milliner of her era; before retiring in the late Sixties (when hats were finally shown the door) she had accomplished much in the realm of fashion – designing dresses, lingerie, gloves, bags, jewelry and hostess gowns. While in league with the Hollywood costume designer Travis Banton, her lids adorned many of the craniums of the most glamorous women ever to grace a movie screen.
Pictured herein are three fur hats by Sally Victor (1905 – 1977: Coty Award 1944) modeled by the actress Vanessa Brown (1928 – 1999).
