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Paris Fashion, 1913
(Vanity Fair Magazine, 1913)

The unknown author of this article believed deeply that the Paris fashions of 1913 were very much in keeping with the grand traditions established and maintained by that city since the eighteenth century. This critic was very impressed with the recent work of Paul Poiretstyle=border:none and Doeuillet and presented a number fashion illustrations to prove the point. Oddly, the article is credited simply to Worthstyle=border:none which leaves one wondering whether the writer was one of the sons of Charles Frederick Worth (1825-1895); Jean Philippe Worth or Gaston Worth, both of whom had inherited their father’s great house of fashion.

The Post-War Miracle that was Volkswagen
(Pic Magazine, 1955)

Out of the smoldering ruins of Japan came the Honda factories; while Germany amazed their old enemies by rapidly beating their crematoriums into Volkswagens. Confidently managed by a fellow who only a short while before was serving as a lowly private in Hitler’s retreating army, Volkswagen quickly retooled, making the vital improvements that were necessary to compete in the global markets.


Ludwig Erhard (1897 – 1977), West Germany’s Minister of Economics between the years 1949 and 1963, once remarked that Germany was able to launch its Wirtschaftswunder (economic miracle) by implementing the principles of a market economy and laissez-fair capitalism within the framework of a semi-socialist state.

Manpower Balance
(Yank Magazine, 1945)

General Marshall recalled the decisions made concerning how many American men would be drafted and in what branches of service they would be needed. He recalled the number of divisions each Allied nation raised and how many divisions the Germans and Japanese put in the field. The article also remembers that two thirds of the German Army was deployed along the Eastern front and he wondered what might the Americans have done had Germany defeated the Reds.

It is remarkable how exactly the mobilization plan fitted the requirements for victory. When Admiral Doenitz surrendered the German Government, every American division was in operational theaters.

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Growth and Expansion at the Walt Disney Company
(Film Daily, 1939)

Herein is a 1939 article from a defunct Hollywood trade magazine marking the construction of a 20 acre facility for the Disney studio in Burbank, California:

By 1930, the Walt Disney studio had grown in fantastic fashion. Instead of the 25 employees of 1929, there were now 40 people…By the end of the year there were 66 employees…In 1931 the total number of personnel had jumped to 106…When ‘The Three Little Pigs’ came along in 1933, the studio had grown 1,600 square feet of floor space in 1929, to 20,000 square feet. A hundred and fifty people were now turning out the Disney productions… In 1937, all the employees were still jostling each other… From around 600 employees in the summer of 1937, the organization had grown to almost 900 by the winter of 1938.

The Designs of Gustav Jensen
(Coronet Magazine, 1940)

High-Ranking in the roll-call of New York’s industrial designer is a six-foot Dane with the voice of a Viking. Gustav Jensen is an artist, whether he is talking, eating, or performing Herculean labors in cleaning out Plebeian Stables. The creed of the industrial designer is that every implement of modern life can be made into a work of art. Jensen has pursued this creed to fabulous extremes. He has designed kitchen sinks, that have been compared to Renaissance caskets, and he meditates for months before he designs a doorknob….


The article is illustrated with eleven photographs; the image on the right shows Jensen’s design for a table model radio: The radio is a miracle. It should look like a miracle, remarked the designer.

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The Advance on the Rhineland and Other Forebodings
(Stage Magazine, 1936)

One of the very few literati who recognized what a German military presence in the Rhineland meant was a one legged American veteran of the last war named Laurence Stallings (1894 – 1968). This article appeared to be about the great benefit afforded to us all by hard working photo-journalists who supplied us daily with compelling images of various far-flung events, but it was in all actuality a warning to our grand parents that the world was becoming a more dangerous place.

I think the unforgettable picture of the month will come from shots stolen near a French farmhouse by Strasbourg, when the French were countering Hitler’s move into the Rhineland…Routine were the crustacean stares of the Italian children in gas masks last week, where they practiced first aid against chlorine and mustard barrages…

Greewich Village
(Vanity Fair, 1918)

A whimsical article about the topography of New York’s Greenwich Village and the migratory habits of all it’s assorted bohemians, vagrants, spinsters and vegetarians during the Prohibition era.


Click here to read some high praise for Greenwich Village from a French film star.

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The Roots of Communist China
(The Nation, 1927)

A dispatch from the old China watcher Lewis S. Gannett was printed in the left-leaning American magazine, THE NATION:

All China has been won to half the Nationalist program – that which is directed to the reestablishment of national independence. The fundamental conflict between ‘moderates’ and ‘extremists’ is, I think, between short-sighted men who think that the Nationalist passion can subside without causing fundamental changes in China’s social fabric, and those who recognize the inevitability of industrialization in China and are determined that their country shall not pass through all the miserable phases of capitalistic industrialism which created a disinherited proletariat in the West.

Bertrand Russell on American Intervention
(Literary Digest, 1922)

The British philosopher Bertrand Russell (1872 – 1970; Nobel Prize for Literature, 1950) used to get mighty hot under the collar when the topic of American society came up and this column is just one example. During his 1922 American speaking tour Russell rambled-on about how prone Americans were to confuse the truth with commercial messages; believing that altruism was seldom a motivating factor behind a single American undertaking. He will have none of the thinking that America’s main concern for jumping into the meat grinder of 1914-1918 was entirely inspired by wounded France and poor little Belgium but was rather an exercise in American self-interest.


Read the thoughts of one W.W. I veteran who regrets having gone to war…

The Old Hollywood Way to Physical Perfection
(Literary Digest, 1937)

The old flesh sculptor himself, Donald Loomis, late Physical Director for MGM Studios, let loose with some 1930s tips as to how he was able to make all those movie stars look so utterly fabulous – some are quite useful (some are pathetic).

Symmetry is the objective of Hollywood body sculptors. For bust-reduction, Loomis has a simple formula: Jump up and down with no support. Exercise in which the arms are forced backward and forward horizontally are used to develop the upper chest…


Click here to read an article about the demise of a popular 1940s hairstyle.

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Where Did the Doughboys Board? Where Did They Land?
(Pictures of The World War, 1920)

A black and white map indicating the Atlantic ports up and down North America where the A.E.F. boarded troop ships, their trans-Atlantic routes and their French and British points of arrival. The map is also accompanied by a few facts concerning this remarkable trip across U-boat infested waters.


Click here to read an article about the sexually-transmitted diseases among the American Army of W.W. I…


When the Doughboys complained, they complained heavily about their uniforms; read about it here.

Swank in the Cold
(Quick Magazine, 1952)

The slobs who run this website are a slovenly lot, so don’t take our word for it – but we believe this hooded turtleneck sweater that showed up on fashion’s catwalks during the fall of 1952 to have been the proverbial bees knees!

Laurel and Hardy
(Photoplay Magazine, 1930)

An interview with Stan Laurel and Oliver Hardy:

They are the comedy sensations of the season. And all because they have learned, by a lucky stroke, that the public likes to see itself caricatured on the screen; that the public can laugh at the maunderings of a fat man who shakes a warning pudgy forefinger at a sensitive simpleton who is prone to weep

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The Monstrous Movies
(Vanity Fair Magazine, 1921)

By 1921 the city of Los Angeles began to seriously grow, and the expansion was not simply due to the arrival of performers and extras and all manner of craftsmen that are required to launch a film production – but the city was also bringing in the sorts necessary to support a wealthy urban environment. Every thriving city needs a support system, and Hollywood imported tailors, milliners, chefs, architects and various other tastemakers who in turn attracted realtors, contractors, merchants and restauranteurs.

Woodrow Wilson and the Repeal of Prohibition
(Literary Digest, 1919)

For some in the U.S. Congress and for President Woodrow Wilson (1856-1924) in particular, the prohibition of alcohol in the United States (passed by Congress on November 1, 1918) was simply viewed as an appropriate war-time measure guaranteed to maintain the productivity of an efficient working class. However, with the First World War coming to a close, President Wilson saw little need in keeping the entire law as it was written, and he suggested allowing the sale and distribution of beer and wine. This article will inform you of the political will of the dry members of congress as well as the strength of the American clergy in 1919

High Society Ladies’ Rooms
(Stage Magazine, 1937)

The New York café society of the Thirties was well documented by such swells as Cole Porter and Peter Arno – not so well-known, however, were the goings-on in the ladies’ bathrooms at such swank watering holes as El Morocco, Twenty-One, Kit Kat, Crystal Garden and the famed Stork Club. That is why these columns are so vital to the march of history – written by a noble scribe who braved the icy waters of Lake Taboo to report on the conversations and the general appearance of each of these dressing rooms.

The Rainbow Room, Waldorf, and Crystal Garden are modern and show a decorators hand, but the only really plush dressing room we know is at Twenty-One.

Strangely enough, it doesn’t matter whether it’s the ladies’ room of El Morocco, Roseland, or a tea room; the same things are said in all of them. First hair, then men, then clothes; those are the three favorite topics of conversation in the order of their importance.

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