Recent Articles – Page 109 – Old Magazine Articles

George Bernard Shaw and Literary Recycling
(Vanity Fair, 1921)

Irish author, critic and dramatist, St. John Greer Ervine (1883 – 1971), believed that some of the dramatic characters populating the plays of George Bernard Shaw (1856 – 1950) were reoccurring characters who could be counted upon to appear again and again. He had a fine time illustrating this point and thinks nothing of stooping to compare Shaw with Shakespeare:

Shakespeare primarily was interested in people. Mr. Shaw primarily is interested in doctrine…

Thirty-five years later St. John Ervine would be awarded the James Tait Black Memorial Prize for his biography of George Bernard Shaw.

Click here to read various witty remarks by George Bernard Shaw.

Lana Turner
(Quick Magazine, 1949)

When this Hollywood profile first appeared on paper, actress Lana Turner (1921 – 1995) was all of twenty-nine years of age and about to begin working on A Life of Her Own
it was her thirtieth movie; her last four films had nearly grossed a record-breaking $20 million, and her smiling mug was on each and every Hollywood fan magazine that could be found.

Today, the sleek, gray-eyed Lana has shed the plumpness of two years ago, keeps her weight between to 118 and 127 lbs… Now Lana is as shapely as she was in those early days. She has the ‘perfect’ figure: 5 ft. 3 in., 34-in. bust, 24-in. waist, 34.5 in. hips.

The article is illustrated with photographs from eight of her pre-’49 movies and lists all the husbands that she’d collected up to that same period (she had acquired eight husbands before she was through).

Conversations With Pirandello
(Theatre Arts, 1928)

The back-and-forth that took place throughout a number of Florentine conversations between journalist Fredericka V. Blankner and Italian writer and drama theorist Luigi Pirandello (1867 – 1936: awarded Nobel Prize for Literature in 1934) were printed in her 1928 article, Pirandello, Paradox:

I see life, says Pirandello, as a tragedy…

The Fleecing of Liberators
(The Stars and Stripes, 1919)

By the time April of 1919 rolled around, it seemed to the Doughboys who were waiting for that boat to take them back to the good ol’ U.S. of A that their French allies had a short term memory and were terribly ungrateful for American sacrifices made on their behalf. Many post-Armistice letters written by the Doughboys were filled with snide comments about the high prices they were asked to pay for everyday merchandise, prices that seemed to be chosen just for them. Wisely, the Stars and Stripes editors chose not to take sides in this debate but ran this nifty little piece about the manner in which the Americans of 1782 treated their French allies during the American Revolution.

Click here to read about the foreign-born soldiers who served in the American Army of the First World War.

Arthur B. Davies
(Vanity Fair, 1919)

An Arthur B. Davies (1862 – 1928) review written by VANITY FAIR art critic Frederick James Gregg following the opening of an exhibition highlighting the the private collection of N.E. Montross. The critic wrote:

Since the death of Albert Pinkham Ryder (1847 – 1917), Mr. Davies has been recognized, by persons abroad who are familiar with art in America, as the leading living painter on this side of the Atlantic.

A New Propaganda Delivery Sysytem
(Literary Digest, 1917)

Photographs of a small, hand-held helium balloon being loaded with German translations of President Wilson’s April (1917) war address in order that they might be released over the German trenches. This small notice makes clear that this particular method of persuasion resulted in fifty Germans surrendering.

A Puttee Cartoon
(The Stars and Stripes, 1918)

The Doughboys were grateful to be issued European spiral-puttees in place of their canvas gaiters -which did them no good whatever in the dampness of Northern Europe; however, as the attached W.W. I photographs so clearly indicate (as does this cartoon by Walgren), not many Yanks were as proficient at wrapping them as the upper brass had hoped.

U.S. Propaganda Pamphlets Dropped on the Hun
(The Stars and Stripes, 1919)

This is a swell read, written in that patois so reminiscent of those fast talking guys in 1930s Hollywood movies. One of the many reasons I find this era so interesting has to do with the fact that the war coincided with that mass-media phenomenon called advertising – and this article pertains exactly to that coincidence. This column was printed shortly after the war in order to let the Doughboys in on the existence of a particular group within the A.E.F. that was charged with the task of dumping propaganda leaflets all over the German trench lines:

Propaganda is nothing but a fancy war name for publicity and who knows the publicity game better than the Yanks?

Etiquette in the Movies
(Vanity Fair, 1915)

No doubt, this is one of the funniest pieces you are likely to find on the topic of acting and costuming in silent movies. It was written by Frederick Lewis Allen (1890 – 1954) and Frank Tuttle (1892-1963); both men approached the movies with the low expectations that were probably all too typical of theater lovers at that time. Frederick Lewis Allen is best remembered today as one of the better chroniclers of the Twenties and author of Only Yesterday (1931) while Frank Tuttle would find himself, in a few short years, directing movies in Hollywood. Tuttle was one of the few Directors who successfully made the jump from silent films to sound and continued working; at this writing, he was an Assistant Editor at Vanity Fair.

The Battle of Kenesaw and the Goodness of Colonel Martin
(Confederate Veteran, 1922)

Here is a segment from a longer article found on this site that recalled the history of boys who had enlisted in the Confederate cause – this short paragraph tells the story of a Rebel colonel, W.H. Martin of the 1st Arkansas Regiment, who called out to his opposite number in the Federal ranks during a lull in the fighting for Kenesaw Mountain and allowed for a truce so that the immobilized wounded of the Northern infantry would be rescued from a fire that was spreading in no-mans-land.

Scenario Writers and Plagiarism
(Motion Picture Magazine, 1916)

The attached is one from a series of articles that appeared in MOTION PICTURE MAGAZINE penned by a Hollywood insider during the high-fashion days of silent film. The reader will be alarmed to read that even as early as 1916, plot-stealing and other forms of Hollywood plagiarism were in full swing.

A few weeks earlier, a California Representative had introduced an anti-plagiarism bill to Congress.

Click here to read about the Hollywood plagiarism game of 1935.

A Screenwriter’s Progress
(Ken Magazine, 1938)

Yardley, a cartoonist from KEN MAGAZINE, made this four panel yuk-yuk about Depression era screenwriters and the shoe being on the other foot. Truth be told, the story it tells is as fitting in our own time as it was in the Thirties. Nicely rendered, too.

Click here to read about feminine conversations overheard in the best New York ladies rooms of 1937.

How the United Nations Works
(Yank Magazine, 1945)

Here is an instructional cartoon for students illustrating how the United Nations was intended to function during a crises.

The cartoonist clearly indicated the step-by-step protocol that was designed to eradicate world wars with a diplomatic process beginning jointly in both the U.N. General Assembly as well as the U.N. Security Council, proceeding on to three other possible U.N. committees (such as the Trusteeship Council, the Military Staff Committee or the International Courts) before the general body would be able to deploy any international force on it’s behalf.

Americans Observed…(Yank Magazine, 1945)

While in the process of drawing up the charter for the United Nations, several foreign dignitaries took time out to look around at the citizens of San Francisco and share their candid observations with the editors of YANK MAGAZINE as to what an American is.

During the summer of 1938 the Nazis allowed one of their photo journalists out of the Fatherland to wander the highways and byways of the United States. This is what he saw…

The Psycho-Sexual Struggle within Amedeo Modigliani
(Gentry Magazine, 1953)

Modigliani’s art reflects the psychological secret of his personality as a man, which in turn determines, the characteristics of his art. This longing for intellectual and spiritual self-discipline was constantly struggling with the demands of his overflowing sensual nature; his dreams of physical and sexual vigor were at odds with the failings of his body, his ailments, and his psycho-sexual infantilism; his desire for glory rebelled against the frustrations and poverty of reality.

The Problem with Loyalty Oaths
(’48 Magazine, 1948)

On the twenty-first of March, 1947, President Harry Truman signed into law Executive Order 9835 which was intended to remove communists and their assorted apologists from working in the Federal Government.

Unfortunately the President hadn’t issued a working definition as to what was loyal and what was disloyal and the results of the decree were predictable. The attached editorial was penned by a seasoned Washington journalist who had collected an agglomeration of anecdotal evidence during the first year of its enforcement in order to illustrate the inherent difficulties created as a result of the order. He pointed out that Truman’s order simply granted carte blanche to the F.B.I., called into question the rights of government workers and created a Loyalty Review Board that was cumbersome and bureaucratic.

Hollywood Fights Its Slowdown
(Click Magazine, 1943)

Hollywood’s manpower problems have multiplied, as in any large industry, since the U.S. entered the war. The draft, war plants, and the Government need for technicians depleted studio staffs all along the line, from producers to prop boys. The majority of Hollywood stars have devoted an untold number of hours to Army camp tours, war work, canteens; they have raised funds for war relief and war bonds. Robert Montgomery (pictured in uniform) is only one of many stars who have entered the armed services. Now he’s a lieutenant in the Navy in charge of a torpedo boat squadron….With the reduction in Hollywood’s talent ranks and the new ruling for a $25,000-net-income ceiling, movie companies face a crises in production.

Click here to read a about a particularly persuasive and
highly effective W.W. II training film…

Paris Furlough
(The Stars and Stripes, 1918)

A cartoon by C. LeRoy Baldridge (1889 – 1977) which depicted the streets of Paris in a way that only the A.E.F. could have witnessed it. A Yank-heavy Place de l’Opera is overwhelmed by sight-seeing Doughboys (note the Y.M.C.A. patch on the tour guide) and loitering officers lounging about over-priced cafes. In the foreground stands a bewildered Doughboy, dumb-struck by the passing gaze of an appreciative Parisienne while a few steps away a four-gold-chevroned private gets reamed for failing to salute the single-chevron looey. The stage is shared by bickering cabees, melancholy widows, wandering sailors, unforgiving MPs and a hard-charging, over-weight uniformed woman.

Click here to read about W.W. I art.

Click here to read the observations of U.S. Army lieutenant Louis L’Amour concerning 1946 Paris.