Click Magazine

Articles from Click Magazine

Rampant Inflation in Post-War Germany (Click Magazine, 1944)

Author and radio commentator Emil Ludwig (1881 – 1948) recalled the economic catastrophe that devastated post-World War I Germany as a result of their inflated currency:

Inflation in Germany really started on the first day of the war in 1914 when the government voted a credit of five billion marks. This was not a loan…I saw the mark, the German monetary unit corresponding to the British shilling or the American quarter, tumble down and down until you paid as much for a loaf of bread as you would have paid for a limousine before inflation started.

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The Films of the U.S. Army Signal Corps (Click Magazine, 1943)

An article from Click Magazine designed for civilian consumption concerning the U.S. Signal Corps and their efforts to film and photograph as much of the war as was possible in order that the brass hats far off to the rear could sit comfortably and understand what was needed. The article is illustrated with six war photographs and the captions explaining what information was gleaned from each:

Every detail of these films is scrupulously studied by a group of experts, officers and engineers representing the Army Ground Force, the Navy, the Marine Corps, the Army Air Corps, the Signal Corps the Armored Forces, the Quartermaster Corps and other military units. Naturally, these services are interested in different sections of every film. To facilitate their studies, a device known as the Multiple Film Selector is used.

The Signal Corps Movies of World War I were intended for different uses…

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Adolf Hitler and Women (Click Magazine, 1939)

This article about Adolf Hitler and women appeared on the newsstands two months prior the start of the Second World War, when the world learned how evil a man the lunatic truly was. The journalist wanted to confirm that there was no truth to the 1939 rumor that Hitler was dead and quickly began musing about other rumors:

More feasible is the theory that the sexless madman of Naziland is still alive and has merely discovered that he gets a vicarious thrill out of having women around him and likes to watch acrobatic dance routines.

Photographed in this article is Frau Scholtz-Klink, who had been dubbed the perfect Nazi woman by the Reichfuehrer, in addition to three curvy American burlesque dancers who performed before Hitler.


Click here to read about the dating history of Adolf Hitler.

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The Four Million Dollar Epic (Click Magazine, 1940)

Many a movie of the deep South has come out of Hollywood studded with ‘you-alls’ and trailing jasmine blossoms. Never before, however, has any studio had Gone with the Wind, already the most heavily publicized picture of the era, which, at long last, makes its film debut…For over two and a half years casting difficulties had beset the producers of Gone With The Wind. Most difficult was the part of Scarlet O’hara, green-eyed vixen around whom the 1,307 page novel revolves. With every leading lady in Hollywood under consideration, the studios tested and re-tested Norma Shearer, Miriam Hopkins, and Paulette Goddard. Even the 56,000,000 people reported by the Gallup poll to be waiting to see the picture began to get tired…


Another great Hollywood movie from 1939 was The Grapes of Wrath – click here to read about it…

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The Visual Accuracy of the ‘Gone with the Wind’ (Click Magazine, 1939)

This page from Click Magazine contrasts three Civil War photographs by Matthew Brady (1822 – 1896) with three production stills snapped on the sets of Gone with the Wind. The editors refused to weigh-in on the slowly building case regarding Hollywood’s questionable abilities to portray historic events with any degree of accuracy, preferring instead to praise the filmmakers as to how carefully they checked details.


The Matthew Brady images provided on the attached page only serves to condemn the otherwise flawless work of Gone with the Wind costume designer Walter Plunkett (1902 – 1982) who historians and reënactors have slandered through the years for failing to fully grasp the look of the era.

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The Visual Accuracy of the ‘Gone with the Wind’ (Click Magazine, 1939)

This page from Click Magazine contrasts three Civil War photographs by Matthew Brady (1822 – 1896) with three production stills snapped on the sets of Gone with the Wind. The editors refused to weigh-in on the slowly building case regarding Hollywood’s questionable abilities to portray historic events with any degree of accuracy, preferring instead to praise the filmmakers as to how carefully they checked details.


The Matthew Brady images provided on the attached page only serves to condemn the otherwise flawless work of Gone with the Wind costume designer Walter Plunkett (1902 – 1982) who historians and reënactors have slandered through the years for failing to fully grasp the look of the era.

The Visual Accuracy of the ‘Gone with the Wind’ (Click Magazine, 1939) Read More »

Stuck in Nassau (Click Magazine, 1941)

This Click Magazine article concerns the diplomatic posting to Nassau, Bahamas that was the lot of the Duke of Windsor shortly after the outbreak of World War Two. The Duke and Duchess had gleefully met Adolf Hitler some two years earlier and, following that error, were overheard on a few occasions making defeatist statements concerning the British war effort. Wishing to keep him in a spot where he could do no damage yet still be monitored, the British Foreign Office granted him the title of Royal Governor and posted him to Nassau.
Illustrated by four seldom-seen color photographs that, no doubt, the two were simply delighted to pose for, the interview makes clear just how bored the Windsors were on that hot, sticky island paradise, where they remained until 1945.

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Tears in the Dark of the Theater (Click Magazine, 1944)

Even the broad-shouldered, steely-hard men who toil daily over this website cry like little girls when exposed to the 1944 home front movie, Since You Went Awaystyle=border:none; for our money it was the best movie Hollywood ever produced about the war years.


That said, we invite you to take a gander at the attached photo-essay from CLICK MAGAZINE in which a spy camera using infrared film was used to capture the weeping masses sobbing in the dark of the theater as they watched that remarkable movie.

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