A thumbnail review of It’s a Wonderful Life written in the form of a favorable plot synopsis. Oddly, the film was released in March of 1947 – long after Christmas.
‘It’s a Wonderful Life’ – the Synopsis (Photoplay Magazine, 1947) Read More »
Months after his appearance as a spectator at the House Committee on Un-American Activities, actor Humphrey Bogart wrote this article for the editors of Photoplay Magazine addressing the topic of communist infiltration in the Hollywood film industry:
In the final analysis, this House Committee probe has had one salutary effect. It has cleared the air by indicating what a minute number of Commies there really are in the film industry. Though headlines may have screamed of the Red menace in the movies, all the wind and the fury actually proved that there’s been no Communism injected on American movie screens.
‘I’m No Communist” (Photoplay Magazine, 1948) Read More »
Blacklisted Hollywood screenwriter Dalton Trumbo (1905 – 1976) did not do himself any favors when he wrote the attached essay outlining his sympathies for Stalin’s Soviet Union at the expense of the United States. A year later he would find himself in the hot-seat in front of the House Un-American Activities Committee (1938 – 1975) where his non-cooperation landed him eleven months in the hoosegow on contempt of Congress charges.
In 1887 the New York Times reviewed the first English edition of Das Kapital by Karl Marx, click here to read it…
Dalton Trumbo Brings on the Storm(Rob Wagner’s Script Magazine, 1946) Read More »
Blacklisted Hollywood screenwriter Dalton Trumbo (1905 – 1976) did not do himself any favors when he wrote the attached essay outlining his sympathies for Stalin’s Soviet Union at the expense of the United States. A year later he would find himself in the hot-seat in front of the House Un-American Activities Committee (1938 – 1975) where his non-cooperation landed him eleven months in the hoosegow on contempt of Congress charges.
In 1887 the New York Times reviewed the first English edition of Das Kapital by Karl Marx, click here to read it…
Dalton Trumbo Brings on the Storm
(Rob Wagner’s Script Magazine, 1946) Read More »
If you were planning to use your time machine to travel back to 1935 so you could work as a Hollywood extra – you might want to read this article about what a bad hand was dealt to that crowd back in the day. It was written by Campbell MacCulloch, General Manager of the Central Casting Corporation – and he knew all about it:
In Hollywood dwell some ten or twelve thousand misguided folk who cling tenaciously to a couple of really fantastic illusions…
DON’T BECOME AN EXTRA (Liberty Magazine, 1935) Read More »
When the 20th Century Fox executive Joseph Schenk (1876 – 1961) opened his big fat pie hole and blathered-on about what he really thought of Hollywood extras, he soon discovered that this minority had champions in the press corps who would come to their aid when needed.
‘Extras Are Anybody” (Rob Wagner’s Script, 1935) Read More »
Illustrated with the images of shanties and tents that once surrounded Universal Studios, this article tells the sad story of Hollywood movie extras and the challenging lives they led during the Great Depression:
Tossed out of other work by the recent depression, attracted by the false stories of Hollywood’s squanderings and extravagances, excited by the thrill of living and working in the same town and the same industry with world famous personalities, they drifted to Hollywood and attached themselves to the motion picture industry. They registered with the Central Casting Bureau, and joined the great army of extras.
These people saw no glitter, no romance, no bright mirage of stardom. To them, it was hard work and serious work…
From Amazon: Hollywood Unknowns: A History of Extras, Bit Players, and Stand-Ins
During the Depression Unskilled Labor Flocked to Hollywood (Photoplay Magazine, 1934) Read More »
With the unemployment level at an all-time high, many Americans heard that there were jobs to be had in Hollywood as movie extras; jobs that require one to simply walk back and forth, pantomime at a dinner table and wear nice costumes. With few other options available to them, thousands of people headed West only to find that there was very little work, sub-standard housing and too many sharks wishing to take advantage of them. This article tells their story and explains how FDR’s National Recovery Administration took it upon themselves to decide who could pursue this work and who could not.
Unskilled Labor Descended on Hollywood (Photoplay Magazine, 1934) Read More »
Greta Garbo (1905 – 1990) was well known for keeping to herself and preferring to act on movie sets free of executives, pals and all sorts of other hangers-on and she was very famous for refusing to grant members of the press corps interviews. With that in mind, it is a wonder that Katherine Albert of PHOTOPLAY MAGAZINE was able to piece enough together for this 1930 article:
She has no place in the life of Hollywood. She has never adapted herself to it.
Garbo will continue to remain an enigma…
Click here to read about early cosmetic surgery in Hollywood.
Greta Garbo’s First Impressions of Hollywood (Photoplay Magazine, 1930) Read More »
Twenty-two years after wrap was called on the set of The Birth of a Nation, leading lady Lillian Gish (1893 – 1993), put pen to paper and wrote this reminiscence about her days on the set with D.W. Griffith.
Lillian Gish Recalls Making The Birth of a Nation (Stage Magazine, 1937) Read More »
