Click Magazine

A well illustrated wartime review concerning what the women of fashion could do to enhance life in spite of the government shortages.

Illustrated with pictures of Winston Churchill’s weird zipper suit and Joseph Stalin’s all purpose costume, 1940s fashion critic Elizabeth Hawes (1903 – 1971) taunts the Great-American-Male and challenges him to respond in kind by wearing copies of these comfortable threads:

Today’s business clothes were worked out by the winners of the Industrial Revolution, whose descendants are the big tycoons of our day…Aspirants to leadership and success normally copy the clothes of existent leaders. Isn’t it about time the most of you changed your suits?

Elizabeth Hawes wrote more on the topic of W.W. II fashions…

There can be no doubt that the fashion-craving lasses of the Thirties and Forties had a tough time of it! Coming of age during the the Great Depression, they spent too much time window-shopping as a result of the all too widespread economic deprivations that were the order of the day – only to be greeted on the other end by the fabric rationing that accompanied the Second World War. They had some good news in the form of a swanky garment that was called Hostess Gowns which were seen as ultra-feminine and tailored in the finer fabrics of the day:

Top-notch fashion stores are finding a new wartime boom in luxury hostess gowns and pajamas; new styles for home reflect the latest dress fashion trends. Ruffles, waistline draping, beads, sequins and marabou add luxury; a number of dressy models might also be taken for dinner gowns…

In light of the fact that we are patriots, we like to think that these hairdos were not as wide-spread on the home front as the journalist implies.

Michel, of the Helena Rubinstein salons, has been fingered as the one responsible for the two-tone pin-On hairdo, a look that was entirely reliant upon the false hair industry in order to achieve the preferred look. Three color images are provided as well as six how-to images.

During the Second World War, hair dye was not simply used by women; click here to read about the men who needed it.

Click here to read a 1961 article about Jacqueline Kennedy’s influence on American fashion.

When the general appearance of women’s uniforms prescribed for voluntary war work by various charitable organizations were deemed unfashionable, uncomfortable or simply embarrassing, the well-known fashion stylist and costume designer Irene (Irene Lentz, 1900 – 1962) stepped up to the plate designing an all-purpose green wool suit, topped-off by a beret:

The noted Hollywood stylist, Irene, performed a real service for defense when she designed her all-around defense suit. Of sturdy gabardine, worn with long cotton service socks and plastic shoes, it is nevertheless as attractive as any civilian suit, and more practical than most. In this outfit, women war workers will not feel self-conscious and ill at ease.

A well-illustrated article from the home front fashion-filled pages of Click Magazine that served to document the contradictory days when wartime button-rationing coincided with a wide-spread yen for decorating with buttons:

In a frantic bid for individuality, fad-loving women are rediscovering the decorative button. Buttons are no longer just a practical devices for holding clothes together. They pep-up simplified silhouettes and restyle dated fashions.

A well-illustrated article from the home front fashion-filled pages of Click Magazine that served to document the contradictory days when wartime button-rationing coincided with a wide-spread yen for decorating with buttons:

In a frantic bid for individuality, fad-loving women are rediscovering the decorative button. Buttons are no longer just a practical devices for holding clothes together. They pep-up simplified silhouettes and restyle dated fashions.