Direction Magazine

Articles from Direction Magazine

The Wunderkind: Orson Welles (Direction Magazine, 1941)

his brief notice is from a much admired American magazine containing many sweet words regarding the unstoppable Orson Welles (1915 – 1985) and his appearance in the Archibald McLeish (1892 – 1982) play, Panic (directed by John Houseman, 1902 — 1988).

The year 1941, Ano Domini, was another great year for the boy genius who seemed to effortlessly triumph with all his theatrical and film ventures. At the time this appeared in print, Welles was filming The Magnificent Ambersons, having recently pocketed an Oscar for his collaborative writing efforts in Citizen Cane. Highly accomplished and multi-married, no study of American entertainment is complete without mention of his name. The anonymous scribe who penned the attached article remarked:

No pretentiously shy Saroyan courtship of an audience about Welles! He really loves his relation to the public. He doesn’t flirt with it.

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Charlie Chaplin’s Credo (Direction Magazine, 1941)

This, the much-discussed final speech in The Great Dictator, is more than a climax and conclusion to Chaplin’s newest film, it is a statement of Chaplin’s belief in humanity, a belief in which his creative powers and artistic development are deeply rooted.

Hope…I’m sorry, but I don’t want to be an emperor. That’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone, if possible -Jew, Gentile -black man -white.

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Propaganda Radio (Direction Magazine, 1941)

This magazine article first appeared on American newsstands during February of 1941; at that time the U.S. was ten months away from even considering that W.W. II was an American cause worthy of Yankee blood and treasure; yet, the journalist who penned the attached column believed that American radio audiences were steadily fed programming designed to win them over to the interventionist corner. He believed that it was rare for isolationists to ever be granted time before the microphones and quite common for newscasters to linger a bit longer on any news item that listed the hardships in France and Britain. Objectivity was also missing in matters involving the broadcasting of popular song:


The morning after the Japanese attack on Pearl Harbor President Roosevelt stood before the microphones in the well of the U.S. Capitol and became the first president to ever broadcast a declaration of war; CLICK HERE to hear about the reactions of the American public during his broadcast…

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Government Funding for the Arts Praised (Direction, 1938)

An editorial by the artist Philip Evergood (1901 – 1973) who believed that the Federal Arts Project of the Thirties had not simply made the lives of artists a little better but has also created a far better society:

The Federal Arts Project has pointed the way to an American Culture. It has set a weight in motion, it has let loose a force that has affected hundreds of thousands of lives. It has made murals depicting the history of our country and the lives of our people have been placed on the walls of our schools, hospitals, libraries and public buildings making them of greater beauty and of greater community interest – monuments and small sculpture have been added in equal numbers, easel paintings and prints now hang in thousands on the walls of public buildings…

Evergood likened this government funding to the Renaissance, when the church served as the artist’s patron and culture flourished.

Click here if you would like to read a 1939 article about the closing of the Federal arts funding program.
Click here to read a 1942 article by Rockwell Kent on the proper roll of American artists during wartime.

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Ralph Ellison on Richard Wright Among Others… (Direction Magazine, 1941)

Printed just twelve years before he would receive a National Book Award for his tour de force, The Invisible Man, celebrated wordsmith Ralph Ellison (1914 – 1994) wrote this review of Negro fiction for a short-lived but informed arts magazine in which he rolled out some deep thoughts regarding Richard Wright, Langston Hughes, Arna Bontemps, Zora Neil Hurston and assorted other ink-slingers of African descent:

It is no accident that the two most advanced Negro writers, Langston Hughes and Richard Wright, have been men who have enjoyed freedom of association with advanced white writers; nor is it accidental that they have had the greatest effect upon Negro life.


Click here to read a 1929 book review by Langston Hughes.


CLICK HERE to read about African-Americans during the Great Depression.

Ralph Ellison on Richard Wright Among Others… (Direction Magazine, 1941) Read More »

Government Subsidized Art (Direction Magazine, 1938)

This 1938 editorial by the artist Philip Evergood (1901 – 1973) stated that the Federal Arts Project of the Thirties had not simply made the lives of artists a little better, but had also created a far better society:

The Federal Arts Project has pointed the way to an American Culture. It has set a weight in motion, it has let loose a force that has affected hundreds of thousands of lives. It has made murals depicting the history of our country and the lives of our people have been placed on the walls of our schools, hospitals, libraries and public buildings making them of greater beauty and of greater community interest – monuments and small sculpture have been added in equal numbers, easel paintings and prints now hang in thousands on the walls of public buildings…

Evergood likened this government funding to the Renaissance, when the church served as the artist’s patron and culture flourished.

Government Subsidized Art (Direction Magazine, 1938) Read More »

Native Contributions to Latin American Arts (Direction Magazine, 1941)

This column by Andrés Iduarte (1907 – 1984) addressed the popularity of Los Indios in the arts of Latin America throughout the 1930s. What came to be known as the pro-Indian movement in the U.S. of the 1960s was a political development in the counter-culture of that era, but thirty years earlier it was a trend in the arts of Latin America. Andrés Iduarte covered the contributions of painters, poets, novelists and sculptors who were all of Native descent south of the Rio Grande (FYI: Brazil is not mentioned in this article).

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Leftist Cartoonist Art Young (Direction Magazine, 1938)

Artist Gilbert Wilson conducted this interview with American socialist cartoonist Art Young (1866 – 1943) which appeared in DIRECTION MAGAZINE during the summer of 1938. In the fullness of time, Art Young has come to be recognized as something of a demi-god in the American poison pen pantheon of graphic satirists and no study of Twentieth Century political cartoons is complete without him:

Art Young has never adopted the policy of tearing into his foe (which is capitalism) with tooth and claw. It simply isn’t his way. He just isn’t capable of hating anyone or anything badly enough to get that angry.

Isn’t it rather the duty of a good radical, as Lenin said, ‘patiently to explain’?


In 1887 the NEW YORK TIMES reviewed the first english edition of Das Kapital by Karl Marx, click here to read it…

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