Pageant Magazine

Articles from Pageant Magazine

Stalin and His Cronies (Pageant Magazine, 1947)

Here is an expose that revealed the hypocrisy of Stalin and the Soviet party members – who spoke of the inherit nobility of the laboring classes and the triumph of the worker’s paradise while they lived like the czars of old:

The children of the country’s rulers already regard themselves as the hereditary aristocracy… The absence of a free press and consequently, of public criticism, allows them to retain this psychology even beyond their adolescence.

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America’s Favorite Illustrator (Pageant Magazine, 1947)

Norman Rockwell (1894 – 1978) once remarked in an interview:


“The view of life I communicate in my pictures excludes the sordid and the ugly. I paint life as I would like it to be.”


– and his vision was shared with millions of Americans. He had a fondness for depicting everyday life in small town America, childhood friendships, family life, middle school sporting events and (as discussed in the attached article) the Boy Scouts. He knew who he was; he never referred to himself as an artist, he called himself an illustrator.

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The Predator (Pageant Magazine, 1955)

The attached article, A Mother’s Ordeal with Homosexuality first appeared in 1955, a time when the term gay was not known, and the word homosexual was used in its place – and as you will learn, homosexual was essentially synonymous with the designations sex offender, Paraphilia and Child molester.

The charge of homosexuality against someone, anyone, is not a light one. It requires proof, the strictest proof there is; getting it is not an easy matter.



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Jane Fonda (Pageant Magazine, 1960)

When this article went to press in 1960, Jane Fonda (b. 1937) was all of 22.
She had recently dropped out of Vassar to pursue modeling in Manhattan (unlike most college drop-out who quit campus to pursue modeling, Fonda’s smiling mug was placed on two VOGUE covers that year) and to study method acting with Lee Strasberg (1901 – 1982). She had her first taste of Broadway in a short-lived production titled There was a Little Girl and had not, as yet, taken up her interest in totalitarian communism.


Click here to read about Henry Fonda.

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Explaining Abstract Art (Pageant Magazine, 1950)

WHY DO THEY DISTORT THINGS? CAN’T THEY DRAW? WHY DO THEY
PAINT SQUARES AND CUBES?


In an effort to help answer these and many other similar questions that are overheard in the modern art museums around the world, authors Mary Rathbun and Bartlett Hayes put their noodles together and dreamed up the book (that is available at Amazon) Layman’s Guide to Modern Artstyle=border:none, and we have posted some of the more helpful portions here, as well as 17 assorted illustrations to help illustrate their explanations.


The authors point out that abstract images are not simply confined to museums and galleries but surround us every day and we willingly recognize their meanings without hesitation:

Lines picturing the force and direction of motion are a familiar device in cartoons… The cartoonist frequently draws a head in several positions to represent motion. Everybody understands it. The painter multiplies the features in the same way… Everybody abstracts. The snapshot you take with your [camera] is an abstraction – it leaves out color, depth, motion and presents only black-and-white shapes. Yet its simple enough to recognize this arrangement of shapes as your baby or your mother-in-law or whatever…

Explaining Abstract Art (Pageant Magazine, 1950) Read More »

Explaining Abstract Art (Pageant Magazine, 1950)

WHY DO THEY DISTORT THINGS? CAN’T THEY DRAW? WHY DO THEY
PAINT SQUARES AND CUBES?


In an effort to help answer these and many other similar questions that are overheard in the modern art museums around the world, authors Mary Rathbun and Bartlett Hayes put their noodles together and dreamed up the book (that is available at Amazon) Layman’s Guide to Modern Artstyle=border:none, and we have posted some of the more helpful portions here, as well as 17 assorted illustrations to help illustrate their explanations.


The authors point out that abstract images are not simply confined to museums and galleries but surround us every day and we willingly recognize their meanings without hesitation:

Lines picturing the force and direction of motion are a familiar device in cartoons… The cartoonist frequently draws a head in several positions to represent motion. Everybody understands it. The painter multiplies the features in the same way… Everybody abstracts. The snapshot you take with your [camera] is an abstraction – it leaves out color, depth, motion and presents only black-and-white shapes. Yet its simple enough to recognize this arrangement of shapes as your baby or your mother-in-law or whatever…

Explaining Abstract Art (Pageant Magazine, 1950) Read More »

Explaining Abstract Art (Pageant Magazine, 1950)

WHY DO THEY DISTORT THINGS? CAN’T THEY DRAW? WHY DO THEY
PAINT SQUARES AND CUBES?


In an effort to help answer these and many other similar questions that are overheard in the modern art museums around the world, authors Mary Rathbun and Bartlett Hayes put their noodles together and dreamed up the book (that is available at Amazon) Layman’s Guide to Modern Artstyle=border:none, and we have posted some of the more helpful portions here, as well as 17 assorted illustrations to help illustrate their explanations.


The authors point out that abstract images are not simply confined to museums and galleries but surround us every day and we willingly recognize their meanings without hesitation:

Lines picturing the force and direction of motion are a familiar device in cartoons… The cartoonist frequently draws a head in several positions to represent motion. Everybody understands it. The painter multiplies the features in the same way… Everybody abstracts. The snapshot you take with your [camera] is an abstraction – it leaves out color, depth, motion and presents only black-and-white shapes. Yet its simple enough to recognize this arrangement of shapes as your baby or your mother-in-law or whatever…

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The Unknown Jackie Kennedy (Pageant Magazine, 1970)

Seven years must have seemed an appropriate amount of time to withhold information concerning the generally unpleasant character traits that were apparent in First Lady Jackie Kennedy – and so in 1970 Washington writers Lucianne Goldberg and Fred Sparks put pen to paper and recalled all the minutiae they could piece together regarding Her Elegance:

Jackie was master of deception. In the White House, she never wore her double-breasted mink coat when she could be photographed. But after her husband died, and she moved to New York, she wore the mink, as one fashion writer put it, ‘to do errands around Manhattan’.


This article appears on this site with the permission of Lucianne Goldberg

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