Rob Wagner’s Script Magazine

Articles from Rob Wagner’s Script Magazine

Rockwell Kent: Artists of Democracy (Rob Wagner’s Script Magazine, 1942)

The U.S. had only been actively engaged in World War II for five months when the American artist Rockwell Kent (1882 – 1971) felt the impulse to write about the unique roll an artist must play when a democracy goes to war:

The art of a democracy must be, like democracy itself, of and by and for the people. It must and will reflect the public mood and public interest…Awareness of America, of its infinitely varied beauties and of its sometimes sordid ugliness; awareness of the life of America, of its fulfillments and its failures; awareness, if you like, of God, the landscape architect supreme – and political failure: of the promise of America and of its problems, art has been, or has aimed to be, a revelation. It is for the right to solve these problems our way that we are now at war.

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The Career of Lilian Gish (Rob Wagner’s Script Magazine, 1942)

Attached is a decidedly pro Lilian Gish (1893 – 1993) article concerning the silent film actresses‘ meteoric rise under the direction of D.W. Griffith, her mediocrity when paired with other directors and her much appreciated march on Broadway.

Lilian Gish is the damozel of Arthurian legend, tendered in terms of the Pre-Raphaelite Brotherhood. Her heroines perpetually hover in filtered half-lights, linger in attitudes of romantical despair. They forever drift farther from reality than the dream, and no matter how humble their actual origins, the actress invariably weaves them of the dusk-blues, the dawn-golds of medieval tapestries.

Click here if you would like to read an article in which Lillian Gish recalls her part in Birth of a Nation.

Click here to read articles about Marilyn Monroe.

The Career of Lilian Gish (Rob Wagner’s Script Magazine, 1942) Read More »

The Career of Lilian Gish (Rob Wagner’s Script Magazine, 1942)

Attached is a decidedly pro Lilian Gish (1893 – 1993) article concerning the silent film actresses‘ meteoric rise under the direction of D.W. Griffith, her mediocrity when paired with other directors and her much appreciated march on Broadway.

Lilian Gish is the damozel of Arthurian legend, tendered in terms of the Pre-Raphaelite Brotherhood. Her heroines perpetually hover in filtered half-lights, linger in attitudes of romantical despair. They forever drift farther from reality than the dream, and no matter how humble their actual origins, the actress invariably weaves them of the dusk-blues, the dawn-golds of medieval tapestries.

Click here if you would like to read an article in which Lillian Gish recalls her part in Birth of a Nation.

Click here to read articles about Marilyn Monroe.

The Career of Lilian Gish (Rob Wagner’s Script Magazine, 1942) Read More »

David Niven Returns to Hollywood (Rob Wagner’s Script, 1946)

After six years of war British actor David Niven (1910 – 1983) came back to resume his rightful place among the anointed swells of Hollywood. This single page article is interesting and not only touches upon his war years but also his earliest days in North America toiling-away on a series of menial jobs.

He isn’t talkative about what happened to him during that dark period [during the war]. He says his outlook has changed some. Even the gayest and most lighthearted can’t participate in a ghastly war without some mark being left. The fight with the Nazis made David Niven conscious of other things than the drama pages.


Niven’s first post-war film roll was in the Hal Wallis production of THE PERFECT MARRIAGE, co-starring Loretta Young.

David Niven Returns to Hollywood (Rob Wagner’s Script, 1946) Read More »