Stage Magazine

Articles from Stage Magazine

William Saroyan on William Saroyan (Stage Magazine, 1940)

Hundreds of thousands of people regard me, I believe, as something of a success: A well-dressed, well-fed young writer, famous for his ties, who has moved upward and forward in the world of letters with a speed veering on the imperceptible; an Oriental whose name has become a word in the English language.


SAROYAN, n., one with money, a gentleman, a scholar, an artist; v., to slay, butcher, club, strafe, bombard, or cause to spin; adj., pleasing, ill-mannered, gallant; prep., near-by, within, over, under, toward.

What, however, is the inside story? What is the truth? Who is the real Saroyan? Is he a success or a failure? I will go over the entire saga from there to here chronologically…


Click here to read a Saroyan book review.

William Saroyan on William Saroyan (Stage Magazine, 1940) Read More »

Ignaz Paderewski (Stage Magazine, 1939)

Here is an article on the last American concert tour of Polish pianist (and composer, diplomat and politician) Ignaz Jan Paderewski (1860 – 1941). The article concentrates on the amount of money pulled-in by the performer, both on this tour as well as previous ones; his legendary generosity and his monumental reputation.


Click here to read more about Paderewski and other pianists of 1915…


Click here to see what the first car radios look like.

Ignaz Paderewski (Stage Magazine, 1939) Read More »

Munchkin Gossip (Stage Magazine, 1939)

From the Hot From Hollywood page in STAGE MAGAZINE came this tidbit reporting on the curious events taking place on the sets of ‘The Wizard of Oz’:

The cast was extraordinary, from the stars Frank Morgan, Judy Garland, Ray Bolger, Bert Lahr, Jack Haley to Toto, the Carin Terrier. But of them all, the most utterly enchanting were the midgets, two hundred and twenty-five of them, with their doll faces, their plastered hair that looked as though it had been painted on their heads, the little felt flowers that grew out of their shoes, the bells that jingled from their sleeves. They, of course, were in costume for the good little Munchkins.


Another article about this incredible film can be read here…

Munchkin Gossip (Stage Magazine, 1939) Read More »

Benny Goodman, The King of Swing, on Park Avenue (Stage Magazine, 1938)

To mark the momentous occasion of Benny Goodman and his Band performing for the ‘corsage clique’ on Park Avenue in 1938, ‘the King of Swing’ wrote this short essay concerning all his good work and the enjoyment that it brought to the Jitterbuggers of the world:

Swing is violent, at least so they tell me. But I’m willing to bet that Society is going to toss aside its toppers and tippers and really cut loose. They’ll all come slumming and stay for dancing.

Benny Goodman, The King of Swing, on Park Avenue (Stage Magazine, 1938) Read More »

What’s Next for Eugene O’Neill? (Stage Magazine, 1935)

Stage editor Hiram Motherwell (1888 – 1945) examined the meteoric rise of playwright Eugene O’Neill (1888 – 1953) and asked, What can he do next?

Eugene O’Neill is now forty-seven. His plays have just been enshrined in the definitive edition, handsome, ingratiating, expensive. They are probably more widely discussed than those of any other living playwright. They have been produced in almost every city from Moscow west to Tokyo. They have been translated into more languages. And yet it is evident that O’Neil, standing on the crest of this superb eminence, has completed a cycle; come to a momentous turning in the path his creative genius has followed. Where will the path lead?

What’s Next for Eugene O’Neill? (Stage Magazine, 1935) Read More »