Charlie Chaplin Articles

Charlie Chaplin Joins With Pickford, Fairbanks and Griffith to Form United Artists (Film Daily, 1939)

Restless with the manner in which the film colony operated, Chaplin joined forces with three other leading Hollywood celebrities to create United Artists; a distribution company formed to release their own films. Attached is a printable history of United Artists spanning the years 1919 through 1939 which also outlines why the organization was so original:

[United Artists] introduced a new method into the industry. Heretofore producers and distributors had been the employers, paying salaries and sometimes a share of the profits to the stars. Under the United Artists system, the stars became their own employers. They had to do their own financing, but they received the producer profits that had formerly gone to their employers and each received his share of the profits of the distributing organization.

Charlie Chaplin Joins With Pickford, Fairbanks and Griffith to Form United Artists (Film Daily, 1939) Read More »

Charlie Chaplin Joins With Pickford, Fairbanks and Griffith to Form United Artists (Film Daily, 1939)

Restless with the manner in which the film colony operated, Chaplin joined forces with three other leading Hollywood celebrities to create United Artists; a distribution company formed to release their own films. Attached is a printable history of United Artists spanning the years 1919 through 1939 which also outlines why the organization was so original:

[United Artists] introduced a new method into the industry. Heretofore producers and distributors had been the employers, paying salaries and sometimes a share of the profits to the stars. Under the United Artists system, the stars became their own employers. They had to do their own financing, but they received the producer profits that had formerly gone to their employers and each received his share of the profits of the distributing organization.

Charlie Chaplin Joins With Pickford, Fairbanks and Griffith to Form United Artists (Film Daily, 1939) Read More »

Henri Landru, Monsieur Verdux and Charlie Chaplin (Rob Wagner’s Script, 1947)

Attached is an article about the Charlie Chaplin film, Monsieur Verdux (1947) and the monstrous beast Henri Landru -the French murderer on whom the story is loosely based. This article was written by Gordon Kahn, remembered chiefly in our own time as one of the blacklisted Hollywood screenwriters of the post-World War II period. Not too long after this article was written he went into self-exile in Mexico.

Henri Landru, Monsieur Verdux and Charlie Chaplin (Rob Wagner’s Script, 1947) Read More »

Charlie Chaplin W.W. II Radio Address (Rob Wagner’s Script Magazine, 1942)

Within the toasty-warm confines of the attached PDF lie the text of a speech that Chaplin delivered over the war-torn airwaves in 1942. Wishing only to encourage the citizenry of London and Washington, D.C. to be of stout heart in their battle against the Fascist powers, Chaplin’s address was titled, Give Us More Bombs Over Berlin.

Charlie Chaplin W.W. II Radio Address (Rob Wagner’s Script Magazine, 1942) Read More »

Charlie Chaplin Wanted to be Taken Seriously (Current Opinion, 1922)

We have all seen it many times before: the well-loved, widely accepted comedian who decides that being adored by the masses is simply not enough. For too many comic talents, sadly, there comes a time when they slip on one banana peel too many and it occurs to them that they want the world to appreciate them for their ability to think. Comics who fill this description might be Al Frankin, Woody Allen or Steve Martin.


This article tries to understand why Chaplin wanted to play a tragic part in a 1921 London stage adaptation of William Thackeray’s ‘Vanity Fair’.
We have seen such behavior in comics many times before, they hadn’t.

Charlie Chaplin Wanted to be Taken Seriously (Current Opinion, 1922) Read More »