Fashion

Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916)

Twelvemonth ago, the war had sobered ‘le monde ou l’on s’amuse’ like an icy douche. Europe rang with the clump of tramping feet. Forked lightening seemed to lurk in the sky. In club cars of limited trains and smoke rooms of trans-Atlantic liners heads were put together and the air was as tense as a fiddle string… Fashion tipsters, with long ears and short sight, said that the world would put on black, and style was knocked in the head, and look for the deluge, and so on ‘ad nauseum’.

Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916) Read More »

Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916)

Twelvemonth ago, the war had sobered ‘le monde ou l’on s’amuse’ like an icy douche. Europe rang with the clump of tramping feet. Forked lightening seemed to lurk in the sky. In club cars of limited trains and smoke rooms of trans-Atlantic liners heads were put together and the air was as tense as a fiddle string… Fashion tipsters, with long ears and short sight, said that the world would put on black, and style was knocked in the head, and look for the deluge, and so on ‘ad nauseum’.

Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916) Read More »

Clothing the Camper and Yachtsman (Vanity Fair Magazine, 1917)

For all too few it is understood that fashion need not end in the wilderness: for it is more than likely that that was where the need for fashion was first recognized and it was there, among the toads and the dung, that the Well-Dressed man first crawled out of the muck and civilizationstyle=border:none

was born. With all this in mind, Robert Lloyd Trevor reviewed the fashions for the enjoyment of camp-life in this 1917 Vanity Fair review. Another vital concern touched upon by the journalist was the clothing available to the yachtsmen at that time:

Yachting is one of the things that begin at the bottom. That is to say, at the shoes. They are the foundation, as it were, for the rest of life on the rolling deep.

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Plastic Surgery and You (Movie Teen Magazine, 1952)

Here are some assorted musings concerning the budding cosmetic surgery scene of the early Fifties by the Hollywood movie queen Susan Hayward (1917 – 1975).


At the time this article appeared on the newsstands in 1952, there were probably fewer than 100 plastic surgeons throughout the entire United States and breast augmentation surgery was in its infancy, however advancements were being made daily as a result of the carnage generated by the Second World War. La Hayward was cautiously optimistic regarding the brave, new world of aesthetic surgery:

The wonderful thing about plastic surgery is that it can do almost anything you want it to do… If you have a birthmark on your face or body, a good plastic surgeon can remove it. Even if you have such real disfigurements as a harelip, an expert plastic surgeon can achieve the impossible.

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Linen and Cotton and the Summer of 1933 (Delineator Magazine, 1933)

Attached is printable fashion editorial by a lifer in the world of 20th Century American fashion, Marian Corey who stood firm on her belief that the Summer of ’33 would stand out as the first season in which the swankiest threads in fashion’s offering would be linen and cotton rather than silk:

Cotton and linen have gone chic on us. Yes we know that you’ve heard this before. Every year for the last three, stylists have become very sentimental, along about March first, on this subject and each year practically everyone has gone right on wearing silk and more silk, just the same. This time, however, things will be different; this is the summer to believe the stylists.


The article is illustrated by six photographs picturing various assorted well-fed loafers of the Palm Beach set.




Learn about the color trends in men’s 1930 suits…

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Down With Christian Dior and His New Look! (Rob Wagner’s Script, 1947)

This West-coast fashion critic believed that the fashions of Christian Dior stood firmly in opposition to the optimistic, Twentieth Century casual elegance of Claire McCardell (1905 – 1958) and Adrian (1903 – 1959), preferring instead to spin

the feminine figure in the unconventional manner, trying to make her look good where she ain’t. He seeks the ballet dancer illusion – natural, rounded shoulders, too weak to support a struggling world…Her waist is pinched in an exaggerated indentation, the better to emphasize her padded hips…There are butterfly sleeves, box pockets, belled jackets, and barreled skirts, suggesting something like a Gibson girl, or whatever grandmother should have worn.

Click here to read more 1940s articles about Christian Dior and his New Look.

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Shoe Illustrations (1913 Advertisement)

Heartlessly ripped from the binding of an ancient issue of VANITY FAIR was this page of shoe illustrations in which a smart pair of womens leather boots are the centerpiece, accompanied by Russian dancing shoes, a splendid pair of gold brocade slippers, white buckskin tennis oxfords and a pair of walking boots.


Legendary fashion designer Christian Dior had a good deal of trouble with people who would illegally copy his designs; click here to read about that part of fashion history.

1920s Prohibition created a criminal climate
that appealed to more women than you ever might have suspected…

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Paris Puts a Stick in the Mode…(Vogue Magazine, 1919)

Fashion, like all empires, has it’s slaves. The slaves are treated cruelly but, strangely, they never seem to mind; they do what ever is required of them. Many are the examples of fashion’s tyranny: in the past it has demanded that it’s slaves wear cowboy boots, although none could rope a steer, and it has demanded of it’s slaves that they wear uniforms, although none could fight. In fashion’s name the slaves have removed ribs and teeth, reduced or enlarged body parts, dyed hair cross-dressed and tattooed themselves like jail-birds. The slaves do it all and there seems to be no limit to fashion’s fickle whims that will ever make them say, no.


To illustrate this point, you can read this beautifully illustrated Vogue magazine article from 1919 in which the beast demands perfectly healthy young women to walk with canes.

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Hats from the Spring of 1925 (The Delineator, 1925)

Tenderly ripped from a copy of Delineator Magazine was this one page that featured nine chic illustrations of the fashionable hats for the Spring of 1925.

The small hat trimmed on top with an artichoke bow, pom-poms, gardenias, roses, water lilies, violets or quills is very popular…Hats for general wear remain head-size. The large hat is seen occasionally with afternoon gowns and will be worn with more formal Summer frocks.


Click here to see a beautifully photographed article about the fashionable hats of 1947.


Group therapy for weight loss celebrates its 60th year…

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