Hollywood History

The Unusual Case of Henry Fonda (Coronet Magazine, 1953)

Click here to read an article about Jane Fonda at the beginning of her career. Click here to read about the blackmail and extortion tactics that American Communists used in Hollywood during the Great Depression… KEY WORDS: Henry Fonda bio,henry fondas,henry fonda films,henry fonda biography,henry fonda bio,actor henry fonda,henry fonda movie star,henry fonda movies,henry fonda […]

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Henri Landru, Monsieur Verdux and Charlie Chaplin (Rob Wagner’s Script, 1947)

Attached is an article about the Charlie Chaplin film, Monsieur Verdux (1947) and the monstrous beast Henri Landru -the French murderer on whom the story is loosely based. This article was written by Gordon Kahn, remembered chiefly in our own time as one of the blacklisted Hollywood screenwriters of the post-World War II period. Not too long after this article was written he went into self-exile in Mexico.

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The Show-Biz Blood of Cecil B. DeMille (Pic Magazine, 1941)

At the age of 63, after 44 years in show business, Cecil B. De Mille is still producing. He can’t stop and he probably never will. He is first, last and all the time a showman. The show business is in his blood, and whether he is on a set or taking his leisure at home, his heart and mind are in the theater. He loves to have people around him so that he can play a part, for consciously or unconsciously, he is always acting… C.B.’s father was an actor and playwright, and later a partner of David Belasco. His mother was an actress, and later a very successful play agent.


The article goes into more depth outlining De Mille various triumphs in silent film and his work on The Squaw Manstyle=border:none.

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Lew Ayres at Twenty (Photoplay Magazine, 1930)

Here is a profile of the actor Lew Ayres (1908 – 1996) that was published, quite coincidentally, shortly before the release of ALL QUIET ON THE WESTERN FRONT (Universal):

Naturally a great deal depends on the outcome of this picture. Lew is not the type that will go on for years as a moderate success. He will either be a tremendous hit or or a failure.


Click here to read about Lew Ayres and his status as a conscientious objector during the second World War.

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Red Tactics in Hollywood (Photoplay Magazine, 1940)

American political parties have not been the only folks to visit Beverly Hills – hat-in-hand; Soviet-backed Reds have done it, too. This 1940 article goes into some detail explaining all the various false fronts that American Communists would erect in order to attract Hollywood’s empathetic pretty boys – a tribe that is so easily separated from their wealth. Once an actor was hooked, they were steadily relied upon by the Reds to cough-up the do-re-mi without question; if they didn’t – they got the works.

Walter Winchell has already passed on to Washington documentary evidence proving that thousands of dollars contributed by Hollywood to innocent-sounding organizations eventually wound up in the hands of Communist leaders. Police and other investigatory groups have gone about accumulating evidence of the conspiracy.


One of the many Communist-front advocacy groups that milked Hollywood of much of its wealth was called theIndependent Citizen’s Committee of the Arts, Sciences and Professions; actress Olivia de Havilland was one of their willing dupes until she worked with the FBI and helped to bring them down.

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Rube Goldberg on Hollywood (Photoplay Magazine, 1930)

Hired to write dialogue for the king makers at Twentieth Century Fox, cartoonist Rube Goldberg (1890 – 1970) jotted down his impressions of 1930s Hollywood.

The chief mogul did all the ordering and I must say that he knew food. The lavish way in which he ordered bore out some of the glittering tales I had read about the grandeur of the movies. I think I ate six helpings of caviar and four tenderloin steaks. I wanted to make them believe I was no slouch myself.

If you would like to read a Rube Goldberg interview from 1914, click here.

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Howard Hughes Buys Multicolor (Film Spectator, 1930)

When the deep-pocketed film director Howard Hughes (1905 – 1976) decided to tint a few sequences from his film HELL’S ANGELS (1930) he purchased the company that he believed capable of filling such an order: Multicolor in Hollywood, California (as it turned out, the work was actually done by Technicolor). Hughes was such a curiosity to the press and they followed his every whim; in this article, critic Donald Beaton refers to Hughes as a pioneer and salutes him for experimenting with color.

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Charlie Chaplin W.W. II Radio Address (Rob Wagner’s Script Magazine, 1942)

Within the toasty-warm confines of the attached PDF lie the text of a speech that Chaplin delivered over the war-torn airwaves in 1942. Wishing only to encourage the citizenry of London and Washington, D.C. to be of stout heart in their battle against the Fascist powers, Chaplin’s address was titled, Give Us More Bombs Over Berlin.

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