Silent Movie History – Page 7 – Old Magazine Articles

Geraldine Farrar on Acting in the Silent Movies
(Vanity Fair, 1921)

In the attached article, Metropolitan Opera diva Geraldine Farrar (1882 – 1967) relays her experiences as a film actress in The Hell Cat (1918) and The Turn of the Wheel (1918), and boldly declares that there is a big difference between acting in an opera and acting for the screen (who knew?).

There are a hundred intimate expressions of the eyes, the mouth, the hands, that can only be transmitted through the camera, and the strong and sometimes merciless light of the projection machine. And this is what the motion picture actress must clearly and everlastingly keep in mind: she is acting for an audience which is near enough to detect any insincerity of feeling or any sham in make-up.

Click here to read about physical perfection during the Golden Age of Hollywood.

Promoting Citizenship
(Touchstone Magazine, 1920)

To encourage the making and distributing of films that will promote faith in America, the Americanism Committee of the Motion Picture Industry was organized.

The Monstrous Movies
(Vanity Fair Magazine, 1921)

By 1921 the city of Los Angeles began to seriously grow, and the expansion was not simply due to the arrival of performers and extras and all manner of craftsmen that are required to launch a film production – but the city was also bringing in the sorts necessary to support a wealthy urban environment. Every thriving city needs a support system, and Hollywood imported tailors, milliners, chefs, architects and various other tastemakers who in turn attracted realtors, contractors, merchants and restauranteurs.

The Advantages of Silent Movies Over Theater
(Photoplay Magazine, 1920)

Strong arguments were put to verse by the popular song writer Howard Dietz (1896 – 1983) as to why the up-town theater crowd had it all wrong.

The picture theater is always dark
So things you throw won’t hit the mark.

The actor in the movie play
Can’t hear the things you often say.

The spoken drama’s always longer;
The movie hero’s always stronger.

Click here to read more comparisons between film and stage.

Reviewed: A Fool There Was
(Life Magazine, 1922)

A Fool There Was was originally produced in 1915 starring Theda Bara in the vampire roll; but as the view of women changed in society, to say nothing of popular culture, the producers in the early Hollywood dream-factory decided to re-stage the production with a racier woman in the lead -a flapper-vampire, if you will. The reviewer was sympathetic as to the need for a new adaptation but pointed out that the actress who was re-cast in the Theda Bara roll, Estelle Taylor (1894 — 1958), left the audiences wanting. It was also pointed out that the censorship menace hangs heavy over ‘A Fool There Was’.

In 1919 Theda Bara wrote an article for VANITY FAIR MAGAZINE in which she swore off ever playing a vampire again; click here to read it.

Civilization: An Anti-War Film
(The Atlanta Georgian, 1917)

Attached is a brief review of Civilization, the silent anti-war film produced by Thomas Ince in 1917. Sadly, Ince underestimated the power of film as a means of persuasion; World War I raged on for another year and a half following it’s release.

The Career of Lilian Gish
(Rob Wagner’s Script Magazine, 1942)

Attached is a decidedly pro Lilian Gish (1893 – 1993) article concerning the silent film actresses‘ meteoric rise under the direction of D.W. Griffith, her mediocrity when paired with other directors and her much appreciated march on Broadway.

Lilian Gish is the damozel of Arthurian legend, tendered in terms of the Pre-Raphaelite Brotherhood. Her heroines perpetually hover in filtered half-lights, linger in attitudes of romantical despair. They forever drift farther from reality than the dream, and no matter how humble their actual origins, the actress invariably weaves them of the dusk-blues, the dawn-golds of medieval tapestries.

Click here if you would like to read an article in which Lillian Gish recalls her part in Birth of a Nation.

Click here to read articles about Marilyn Monroe.

The Career of Lilian Gish
(Rob Wagner’s Script Magazine, 1942)

Click here if you would like to read an article in which Lillian Gish recalls her part in Birth of a Nation.

Click here to read articles about Marilyn Monroe.

Anti-Plagerism Legislation Introduced
(Photoplay Magazine, 1916)

Attached is a small column that credited U.S. Representative Charles Hiram Randall (1865 – 1951) of Los Angeles for having proposed legislation before Congress that sought copyright protection for the benefit of scenario writers in Hollywood:

Congressional Randall [Prohibition Party] of California has introduced a bill in the House of Representatives for the protection of scenario authors, by providing for the issuance of a copyright on the scenario upon reciept of two typewritten copies to the proper department in Washington.

Scenario Writers and Plagiarism
(Motion Picture Magazine, 1916)

The attached is one from a series of articles that appeared in MOTION PICTURE MAGAZINE penned by a Hollywood insider during the high-fashion days of silent film. The reader will be alarmed to read that even as early as 1916, plot-stealing and other forms of Hollywood plagiarism were in full swing.

A few weeks earlier, a California Representative had introduced an anti-plagiarism bill to Congress.

Click here to read about the Hollywood plagiarism game of 1935.