Stars and Stripes Archive

Learn About the Americans of WW I with these Old Stars and Stripes Newspaper Articles. Get All Your WW I Articles from The Stars and Stripes.

Signal Corps Movie Men of W.W. I (The Stars and Stripes, 1918)

Appearing in The Stars and Stripes in mid-February of 1918 was this column about one of the newest disciplines to be introduced to the photographic section of the U.S. Army Signal Corps: the motion picture branch.

There is one movie-officer at present assigned to every division in the A.E.F.; one might call him the camera battery, if one wanted to get really military about it. Under him is a squad of expert photographers, some movie men, some ‘still’ snappers.

From the time when the sun finally decides that he might as well hobble up in the sky and do part of a day’s work, which isn’t often in this region, until the time that the aged, decrepit old solar luminary decides again, about the middle of the afternoon, that he’s done all he’s going to do while the calender is fixed the way it is, the camera battery is up and around taking pot-shots at everything in sight… They may be ‘covering’ a review, a series of field maneuvers ‘up front’ or merely Blank Company’s wash day at the village fountain. But always when the sun is shining, they are at it.


Click here to read a YANK MAGAZINE article about the Signal Corps films in the Second World War

Signal Corps Movie Men of W.W. I (The Stars and Stripes, 1918) Read More »

American Ambulance Volunteers in the Service of France (The Stars and Stripes, 1919)

A thumbnail history of the United States Army Ambulance Service, which first arrived in June of 1917.

All through the hard French fighting of 1917 the 6,000 American ambulance drivers kept steadily at work in every sector of the French front. It was not until March, 1918, that the first sections of the service found themselves helping in battles with the fighting regiments of their own Army.

Many of the volunteers were college men, such as the poet E.E. Cummings, who wrote an interesting account of his days as an ambulance driver during the war.

American Ambulance Volunteers in the Service of France (The Stars and Stripes, 1919) Read More »

Paris Furlough (The Stars and Stripes, 1918)

A cartoon by C. LeRoy Baldridge (1889 – 1977) which depicted the streets of Paris in a way that only the A.E.F. could have witnessed it. A Yank-heavy Place de l’Opera is overwhelmed by sight-seeing Doughboys (note the Y.M.C.A. patch on the tour guide) and loitering officers lounging about over-priced cafes. In the foreground stands a bewildered Doughboy, dumb-struck by the passing gaze of an appreciative Parisienne while a few steps away a four-gold-chevroned private gets reamed for failing to salute the single-chevron looey. The stage is shared by bickering cabees, melancholy widows, wandering sailors, unforgiving MPs and a hard-charging, over-weight uniformed woman.

Click here to read about W.W. I art.

Click here to read the observations of U.S. Army lieutenant Louis L’Amour concerning 1946 Paris.

Paris Furlough (The Stars and Stripes, 1918) Read More »

Paris Furlough (The Stars and Stripes, 1918)

A cartoon by C. LeRoy Baldridge (1889 – 1977) which depicted the streets of Paris in a way that only the A.E.F. could have witnessed it. A Yank-heavy Place de l’Opera is overwhelmed by sight-seeing Doughboys (note the Y.M.C.A. patch on the tour guide) and loitering officers lounging about over-priced cafes. In the foreground stands a bewildered Doughboy, dumb-struck by the passing gaze of an appreciative Parisienne while a few steps away a four-gold-chevroned private gets reamed for failing to salute the single-chevron looey. The stage is shared by bickering cabees, melancholy widows, wandering sailors, unforgiving MPs and a hard-charging, over-weight uniformed woman.

Click here to read about W.W. I art.

Click here to read the observations of U.S. Army lieutenant Louis L’Amour concerning 1946 Paris.

Paris Furlough (The Stars and Stripes, 1918) Read More »

U.S. Propaganda Pamphlets Dropped on the Hun (The Stars and Stripes, 1919)

This is a swell read, written in that patois so reminiscent of those fast talking guys in 1930s Hollywood movies. One of the many reasons I find this era so interesting has to do with the fact that the war coincided with that mass-media phenomenon called advertising – and this article pertains exactly to that coincidence. This column was printed shortly after the war in order to let the Doughboys in on the existence of a particular group within the A.E.F. that was charged with the task of dumping propaganda leaflets all over the German trench lines:


Propaganda is nothing but a fancy war name for publicity and who knows the publicity game better than the Yanks?

U.S. Propaganda Pamphlets Dropped on the Hun (The Stars and Stripes, 1919) Read More »

The Third Anniversary of Verdun (The Stars and Stripes, 1919)

1919 marked the third anniversary of the Battle of Verdun and the grounds were still littered with the dead, surrounded by a tons of equipment, lying in open fields pock-marked by thousands of high explosive shells:

Spring will come to France next month, but Spring will not come to the field of Verdun. Already the grass is green on the broad stretches of Champagne; in the Vosges the snow patches linger only in the stubborn shelter of rocks that bar the sun,; but there is no portent of resurrection in all the stretch of churned up gravel marking the line of forts that protect the citadel of the Meuse from the Northeast…the shell holes are filled with clear water, and between them course new born brooks, sublimating in crystal pools from which no man would dare drink.

The Third Anniversary of Verdun (The Stars and Stripes, 1919) Read More »

Paris Furlough (The Stars and Stripes, 1918)

A cartoon by C. LeRoy Baldridge (1889 – 1977) which depicted the streets of Paris in a way that only the A.E.F. could have witnessed it. A Yank-heavy Place de l’Opera is overwhelmed by sight-seeing Doughboys (note the Y.M.C.A. patch on the tour guide) and loitering officers lounging about over-priced cafes. In the foreground stands a bewildered Doughboy, dumb-struck by the passing gaze of an appreciative Parisienne while a few steps away a four-gold-chevroned private gets reamed for failing to salute the single-chevron looey. The stage is shared by bickering cabees, melancholy widows, wandering sailors, unforgiving MPs and a hard-charging, over-weight uniformed woman.

Click here to read about W.W. I art.

Click here to read the observations of U.S. Army lieutenant Louis L’Amour concerning 1946 Paris.

Paris Furlough (The Stars and Stripes, 1918) Read More »

The Fleecing of Liberators (The Stars and Stripes, 1919)

By the time April of 1919 rolled around, it seemed to the Doughboys who were waiting for that boat to take them back to the good ol’ U.S. of A that their French allies had a short term memory and were terribly ungrateful for American sacrifices made on their behalf. Many post-Armistice letters written by the Doughboys were filled with snide comments about the high prices they were asked to pay for everyday merchandise, prices that seemed to be chosen just for them. Wisely, the Stars and Stripes editors chose not to take sides in this debate but ran this nifty little piece about the manner in which the Americans of 1782 treated their French allies during the American Revolution.


Click here to read about the foreign-born soldiers who served in the American Army of the First World War.

The Fleecing of Liberators (The Stars and Stripes, 1919) Read More »