Twentieth Century Writers

Reviewed: ‘The Garden Party and Other Stories’ (Life Magazine, 1922)

The Life Magazine review of The Garden Party and Other Stories
by the New Zealand writer Katherine Mansfield (1888 – 1923) is attached here for your enjoyment. Mansfield lived a short but productive life before tuberculosis got the best of her in 1923. This was one of any number of favorable reviews that she enjoyed in her lifetime and she is today often considered one of the best short story writers of her period.

Reviewed: ‘The Garden Party and Other Stories’ (Life Magazine, 1922) Read More »

Reviewed: ‘The Garden Party and Other Stories’ (Life Magazine, 1922)

The Life Magazine review of The Garden Party and Other Stories
by the New Zealand writer Katherine Mansfield (1888 – 1923) is attached here for your enjoyment. Mansfield lived a short but productive life before tuberculosis got the best of her in 1923. This was one of any number of favorable reviews that she enjoyed in her lifetime and she is today often considered one of the best short story writers of her period.

Reviewed: ‘The Garden Party and Other Stories’ (Life Magazine, 1922) Read More »

The Tragedy of Eugene O’Neill (Look Magazine, 1959)

In 1946, a literary statistician ascertained that, in the world of O’Neill plays, there had been 12 murders, eight suicides, 22 other deaths and seven cases of insanity


To read the attached biographical essay is to understand that O’Neill did not become America’s premiere tragedian by simply reading about the disasters in the lives of others; his entire life was a tragedy. In his wake were alcoholic, suicidal children and numerous unloved wives.

The Tragedy of Eugene O’Neill (Look Magazine, 1959) Read More »

What’s Next for Eugene O’Neill? (Stage Magazine, 1935)

Stage editor Hiram Motherwell (1888 – 1945) examined the meteoric rise of playwright Eugene O’Neill (1888 – 1953) and asked, What can he do next?

Eugene O’Neill is now forty-seven. His plays have just been enshrined in the definitive edition, handsome, ingratiating, expensive. They are probably more widely discussed than those of any other living playwright. They have been produced in almost every city from Moscow west to Tokyo. They have been translated into more languages. And yet it is evident that O’Neil, standing on the crest of this superb eminence, has completed a cycle; come to a momentous turning in the path his creative genius has followed. Where will the path lead?

What’s Next for Eugene O’Neill? (Stage Magazine, 1935) Read More »

W.B. Yeats Gripes About the Theater-Going Bourgeoisie (Theatre Arts Magazine, 1919)

Poet and playwright W.B. Yeats (1865 – 1939) had his say on the matter of theater-subscriber-book-of-the-month-club types who are more likely to attend performances because they feel they should, rather than attending for their own reasons of personal enjoyment:

And the worst of it is that I could not pay my players, or the seamstresses, or the owner of the building, unless I could draw to my plays those who prefer light amusement, or who have no ear for verse and literature, and fortunately they are all very polite.

W.B. Yeats Gripes About the Theater-Going Bourgeoisie (Theatre Arts Magazine, 1919) Read More »

W.B. Yeats Gripes About the Theater-Going Bourgeoisie (Theatre Arts Magazine, 1919)

Poet and playwright W.B. Yeats (1865 – 1939) had his say on the matter of theater-subscriber-book-of-the-month-club types who are more likely to attend performances because they feel they should, rather than attending for their own reasons of personal enjoyment:

And the worst of it is that I could not pay my players, or the seamstresses, or the owner of the building, unless I could draw to my plays those who prefer light amusement, or who have no ear for verse and literature, and fortunately they are all very polite.

W.B. Yeats Gripes About the Theater-Going Bourgeoisie (Theatre Arts Magazine, 1919) Read More »