Men’s Fashion

Much Talk of White Waistcoats, Shoes and Shirts (Vanity Fair Magazine, 1921)

When the smoke cleared following the close of that dreadful unpleasantness that spanned the years 1914 to 1918, there remained much work to do; bodies to be buried, cities to be rebuilt. Men and nations prepared to face the new realities that came with the new social structure; many weighty subjects had to be addressed that had been ignored for so long a time. The most pressing of these topics was deciding which was the proper combination of white waistcoat and dinner jacket? In an age of industrial slaughter, which was more suitable: double-breasted or single-breasted? and what of ties, shoes and overcoats?

Much Talk of White Waistcoats, Shoes and Shirts (Vanity Fair Magazine, 1921) Read More »

The Duke of Windsor Influences (Men’s Wear, 1950)

MEN’S WEAR MAGAZINE printed a few paragraphs on the heavy hand that the Duke of Windsor had in the world of manly attire:

No one completely personified English qualities in attire than the Prince of Wales…Whatever he chose to wear was considered correct and in good taste and was accepted by millions of others in America and elsewhere. Following are a few of the styles that can be traced right back to the Duke of Windsor, either because he wore them first or was responsible for their spread…

-they include such fashion innovations as the Panama hat, the spread collar and brown buckskin shoes among others.

More articles about the Duke of Windsor can be found on these pages.

The Duke of Windsor Influences (Men’s Wear, 1950) Read More »

The Beau (Gentry Magazine, 1956)

Widely remembered as the best dressed man of the Nineteenth Century, Beau Brummell, (né George Bryan Brummell 1778 – 1840), set the standard for male sartorial splendor and as a result, his name
liveth ever more.


The attached men’s fashion article was written at a time when American leisure wear was going through it’s birth pangs and slovenly attire was on the rise all over the fruited plain; it was thoroughly appropriate for the editors of GENTRY MAGAZINE to print this article which not only examined the clothing philosophy of the Beau but also paid heed as to which actors portrayed him on screen (oddly, there was no mention made whatever as to who the various costume designers were).

He dressed simply, without ornamentation. What was it then that set him apart so ostentatiously from the crowd? What made him the best dressed man of the century? The answer lies not, as history has decided, in his clothes. It lay entirely in the way he wore them.


A further study of Dandies can be found here…

The Beau (Gentry Magazine, 1956) Read More »

Remembering the Golden Age of the Dandy (Vanity Fair Magazine, 1920)

This is a fun read covering the all too short reign of the dandystyle=border:none. It touches upon those who were the great practitioners of the art (Beau Brummell, Sir Phillip Dormer Chesterfield, Beau Nash, Sir Robert Fielding, Count Alfred d’Orsay) and those who came later, but deserving of honorable mention (King Alphonso XIII and Oscar Wilde), as well as the wannabe bucks who wished they were dandies but simply came away well-tailored (George IV and Edward VII).


An article about Beau Brummell can be read HERE

Remembering the Golden Age of the Dandy (Vanity Fair Magazine, 1920) Read More »

Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916)

Twelvemonth ago, the war had sobered ‘le monde ou l’on s’amuse’ like an icy douche. Europe rang with the clump of tramping feet. Forked lightening seemed to lurk in the sky. In club cars of limited trains and smoke rooms of trans-Atlantic liners heads were put together and the air was as tense as a fiddle string… Fashion tipsters, with long ears and short sight, said that the world would put on black, and style was knocked in the head, and look for the deluge, and so on ‘ad nauseum’.

Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916) Read More »

Clothing the Camper and Yachtsman (Vanity Fair Magazine, 1917)

For all too few it is understood that fashion need not end in the wilderness: for it is more than likely that that was where the need for fashion was first recognized and it was there, among the toads and the dung, that the Well-Dressed man first crawled out of the muck and civilizationstyle=border:none

was born. With all this in mind, Robert Lloyd Trevor reviewed the fashions for the enjoyment of camp-life in this 1917 Vanity Fair review. Another vital concern touched upon by the journalist was the clothing available to the yachtsmen at that time:

Yachting is one of the things that begin at the bottom. That is to say, at the shoes. They are the foundation, as it were, for the rest of life on the rolling deep.

Clothing the Camper and Yachtsman (Vanity Fair Magazine, 1917) Read More »

Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916)

Twelvemonth ago, the war had sobered ‘le monde ou l’on s’amuse’ like an icy douche. Europe rang with the clump of tramping feet. Forked lightening seemed to lurk in the sky. In club cars of limited trains and smoke rooms of trans-Atlantic liners heads were put together and the air was as tense as a fiddle string… Fashion tipsters, with long ears and short sight, said that the world would put on black, and style was knocked in the head, and look for the deluge, and so on ‘ad nauseum’.

Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916) Read More »